
In fact, The Nation under Carey McWilliams shared many of Ramparts' virtues, but their styles were quite different. If Ramparts was a thoroughbred, The Nation was a workhorse, churning out its weekly on a modest budget to a smaller audience. McWilliams was incapable of Warren Hinckle's extravagance, but he turned a journal of opinion into a forum for investigative journalism and shepherded the magazine through the McCarthy era, its most difficult period.
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